The Asian-American experience is not easily defined. Like people,
this certain experience is misjudged, complex, and, without a doubt,
unique. However, being bias is not correct. Every culture is
unique – and to say one culture, like the Asian culture, is
unique would indeed be thoroughly biased. But don’t get me
wrong; I’m proud to be Asian. I’m also proud to be American. I
was born and raised in America, but my family comes from many
Asian (and some European) heritages. Therefore, I am Asian and
American. This experience can be conveyed through many forms
of statements. The most powerful –- in my utmost opinion,
since I am a student filmmaker -- form of statement is film.
There have been many films. There have been many remakes.
ONE stands out, when it comes to contrasting the Asian
ethnicity and the American ethnicity in the gangster genre. Of
course, I am speaking of Hong Kong cinema Infernal Affairs and
the American remake of that particular film The Departed. And
it is "Infernal," rather than "Internal," because the Chinese
title refers to Avici, the lowest level of hell in Buddhism,
and literally means "The Non-Stop Way". The reason for the
remake? Well, the American film industry is profoundly
influenced by the Asian film industry, to a certain
extent. There remains a feeling that America can only stand so
much. Asian male actors in Hollywood can kung-fu to the point
of exhaustion - they still won't get the girl. "It just shows
that racism can coexist within cultural assimilation," says
SMU's Schneewind (Darling).
But having seen both more than once, I have to admit that,
while the concept were pretty much similar and The
Departed was allegedly a remake, the two movies are very, very
diverse. However, both approach the idea of confliction,
devotion, and disloyalty very intensely. Infernal Affairs
stars Andy Lau as Lau Ming and Tony Leung Chiu Wai as Chan
Yang. The Departed stars Matt Damon as Colin Sullivan,
Leonardo DiCaprio as Billy Costigan, and Jack Nicholson as
Frank Costello. Both films have similar plots: a police
officer is sent undercover as a mole in the local mafia. A
mafia member infiltrates the police force. Both race against
time to expose the mole within their midst and destroy him.


Now even though I am a fan of Martin Scorsese (his movies are an
inspiration to filmmakers who dare), I say this with pure honesty:
The Departed was the better film. The more in-depth development of
the characters; the more in-depth plots; the superior acting by the
cast (and not just the main cast); the more gritty, deceptive, and
dark style; the smooth and emotional editing; the perverse, but
wholly compelling humor; the really cool soundtrack; the way scenes
progressed and felt like it kept on constantly driving us toward
something; and the VIOLENCE. Those are some of things I wanted to see
in Infernal Affairs. But didn’t or, more specifically, didn’t see as
well done. Maybe it was due to a smaller budget, a smaller time
frame, or whatever – but that’s just how I perceived it.


But don’t get me wrong, without I.A., The Departed wouldn’t have
had a foundation to begin with. I like both films. The unattractive
thing about I.A., to me, was that it was a shorter film and the
characters weren’t as deep as the characters in The Departed. They
tried to be deep, I saw that, but there wasn’t enough emphasizing on
that development, because it was much shorter and abrupt. For
instance, in Scorsese’s film, we saw so much development for
Costello, subtly, and he was far more interesting – there is even a
somewhat fondness for his character. I know that’s damn good writing,
acting, and direction if you can get an audience to enjoy watching
this monster do his thing, even though, in their hearts, they know is
wrong.

And, another example, Colin Sullivan’s dilemma compared
to Ming's dilemma of being a cop or a criminal (or, better, a RAT) –
Colin has his lingering stares at Beacon Hill State House from time
to time. Why? They never say so. But you know (or at least vaguely
see), he is striving for justice and he knows he should do the right
thing one day or it will catch up to him – which it did, but not
before he decided to turn on Costello and be a cop. That happened in
Infernal Affairs too, minus Beacon Hill. I think subconsciously
telling the audience what a character is going through is far more
entertaining, rather than just saying it. Personally, I think I.A.
would’ve been better off as a long-running series, rather than a
film.


It’s so interesting to see how one concept from Asia can work
just as well or even better in America. It’s so interesting to see
how one concept can work for more than one ethnic group. I think, as
an Asian American, movies are a universal canvas and, if done
properly, it can be really rewarding for any ethnic group. Movies are
a way of experiencing other cultures as well, not just the Asian
American experience. It can be attainable for people who do not have
access to actually go to a certain destination, like an American who
does not have the capable to see Asia anytime soon, but thanks to
movies, he or she can at least feel a glimpse.

In closing, the Asian American experience with The Departed and
Internal Affairs is this: the outrageously entertaining concept is
not just exclusive for one certain ethnic group. Instead, it’s so
good that it should be available to various groups, so it can be
enjoyed, like how the American audience enjoyed what Hong Kong
originally created with Infernal Affairs. And there’s nothing
controversial about that. I would definitely recommend these two
films to anyone who appreciates great filmmaking.
===========================================================
SOURCES:
Carry Darling, Knight Ridder Newspapers -- June 9, 2005(http://www.modelminority.com/article1036.html)
Rottentomatoes.com (for the Departed pics)
Yahoo.com (for the IA pics)
IMDB.com (for Chinese actor's official names)
TheDVDforums.com (for reason why its "Infernal" and not "Internal" Affairs.)